I suspect that, while potentially not perfect, the FFMPEG libraries Blender is using are trying to give you the full range of your shot’s data, as it is decoded from the raw YCbCr values. I outlined some of those tricky steps in another answer here.īest advice is to check your source footage decode in a few different players. There are also a plethora of other areas where an encode to decode chain might go wrong. See that “Range” tag in the data dump? Frequently too, the decoder will use the wrong set of luminance coefficients to decode the footage, which results in colour skew. Sadly, many decoders decode it incorrectly, and you end up seeing hyper-contrasted images.
This ends up making your image much more contrasted, as well as being incorrect.ĭSLRs and some pocket cameras introduced a nonstandard “full range” YCbCr encoding which uses the full 0.255 range of the YCbCr stream. What I suspect is happening is that the original “source” decoder is likely assuming, absolutely incorrectly, that your Nikon footage is broadcast scaled and chopping off a significant range of values and scaling the remaining values. Those scaled values are, assuming players behave correctly, scaled back to their proper positions on decode. This scaling changes the 0-255 RGB values to 16-235 and 16-240 range on the YCbCr planes respectively. I can see that the “Source” file looks much more contrasty, which suggests to me that your player you are evaluating the material in is likely not decoding your footage correctly.Īny transform from RGB to YCbCr is typically done to the specification, which stipulates a broadcast range scaling. In doing so, the RGB values should remain (quantization errors aside) very close to your source file RGB. Where that is entering the chain is going to be tricky as heck to diagnose.Īny codec is transformed to the YCbCr domain. The source of the problem is likely that your “source” reference analysis was being decoded incorrectly. In all likelihood what you are seeing as “saturation” is actually a byproduct of an incorrect curve. The rest appears to be a stream of complificationingeering. Marks to for likely getting close to the answer. In the screen shot i have overlaid with and without curves modifies and part of the source footage screenshot and my export settings.
I tried with fallowing settings and curves modifier But it just darkens the image and not improves the colour saturation. And i want same quality output, but an MP4. For additional information, visit Toon Boom on the Web at am editing a video(MOV format) shot on Nikon coolpix. Market-leading studios using Toon Boom’s products include Nelvana, Klasky Csupo, Warner Bros., Paramount Pictures, Universal, Mercury Filmworks, Wild Brain, King Camera, Cromosoma and Lanterna Magica, to name a few. Toon Boom’s client base ranges from major studios creating Hollywood blockbuster animated films to individual animators creating their first masterpieces. With these great offerings, Toon Boom Animation is well poised to continue delivering quality, efficiency and reliability to the animation community – for all animation styles and formats. Harmony, a new solution designed to meet digital and paperless animation production needs, comes with high-tech tools such as morphing, inverse kinematics and glue. Toon Boom also offers consulting and training services dedicated to increasing animation production efficiency and quality. carries several leading animation products, including Opus, Concerto, Harmony and Toon Boom Studio. For more details, please check About Toon Boom Animation Inc.īuilding on a decade of great successes, Toon Boom is the world-leading supplier of animation technology.
TOON BOOM HARMONY QUICKTIME HOW TO
Toon Boom Studio Express v2.5 runs on Windows XP and 2000 as well as on Mac OS 10.3.Ĭustomers who purchased Toon Boom Studio Express during the Pre-Launch Promo will receive instructions on how to download version 2.5.
0 kommentar(er)
